J. P. Alley
-
Cal Alley
... Editorials
and Hambone
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J.
P. Alley was one of the best known editorial
cartoonists of his time and in 1923 one of the earliest
employees of a southern newspaper to win a Pulitzer Prize for
journalism.
He was the first editorial cartoonist at the Commercial Appeal
and created an enormously popular cartoon called "Hambone's
Meditations". |
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J. P. Alley |
Hambone |
Cal Alley |
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After J. P. Alley's
death in 1934, his son Cal Alley was chosen to fill the
position that was first held by his father. In addition
Cal and his brother James continued their father's "Hambone"
feature and Cal developed his own comic strip named "The Ryatts" in 1954.
Pressure from Civil
Rights groups brought the long-run Hambones series to an end
in 1968. Both J. P and Cal have been inducted into the Tennessee
Hall of Fame for Journalism. |
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Click on small
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J. P. ALLEY |
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James Pinckney Alley was born in Saline County, near Benton,
Arkansas, in 1885. He attended the public
schools of Benton, graduating in 1903. His first job was
with a local pottery firm but he soon moved to Little
Rock for better employment opportunities. There he worked at a grocery
store and began submitting drawings to newspapers and magazines.
In 1908 he became a commercial artist for the Cronk and Foster
engraving company. During the same year he married Nona
Lane. The couple had two sons, James Jr. and Calvin, and
two daughters Elizabeth and Kathryn. |
J.
P. Alley |
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Saline Co. Courthouse |
Benton School
1900-1 |
Pottery |
Little Rock 1903-4 |
Cronk-Foster
Bus.Card |
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His
art skills would appear to be self-taught with the exception of
a correspondence course. In 1909, the
Alley family moved to Memphis, where Jim had found a job at the
Bluff City Engraving Company. It was in the same building
as the Commercial Appeal newspaper and J. P. began doing free
lance work for the paper. In 1916 he began full time work
at the paper, becoming the editorial cartoonist. He found
resource material for his inspirational cartoons in local and
national politics and in World War 1. Memphis Mayer E.
H. Crump was the butt of many of his editorials. During
this early period Alley's technique, satire and humor
developed tremendously. |
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J. P. Alley |
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Memphis 1909 |
Bluff City Engraving |
C.A. Bldg. |
Drawing Table |
1920 |
Memphis Home |
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During an earlier job in Greenwood, Mississippi, Alley met
former slave Tom Hunley, who cleaned the offices. From
that meeting, a character named "Hambone" was developed and in
1916 he began appearing in Alley's editorial cartoons.
Hambone was a wise and witty black man who became so popular
that Alley created a separate cartoon which was syndicated as
"Hambone Says." and later as "Hambones Meditations"
Hambone was disheveled in
appearance, wide-eyed and frowning, with exaggerated large
lips, looking every bit the representation of African
Americans as seen by whites. The dialogue was also a white
version of black dialect. |
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Greenwood, Mississippi |
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Editorial cartoonist?
An editorial cartoonist, also known as a political cartoonist,
is an artist who draws cartoons that contain some level of
political or social commentary. These cartoons are used to
convey and question an aspect of daily news or current affairs
in a national or international context. The artists
generally adopt a caricaturist style of drawing to capture the
likeness of a politician or subject. They may also employ humor
or satire to ridicule an individual or a group. |
Commercial
Appeal 1921 |
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In
1923, Alley was a major part of the Commercial Appeal's team who
won the Pulitzer Prize for Journalism "For its courageous
attitude in the publication of cartoons and the handling of news
in reference to the operations of the Ku Klux Klan". The
paper was not known as a crusader for the fair treatment of
African Americans. But in the 1920's they courageously
took on the KKK, exposing its activities with a series of
stories and lampooning the group with J. P. Alley's editorial
cartoons. His cartoons ridiculed the KKK as cowards hiding
behind bed sheets. One portrayed a man lashing a woman
across her back with the text "His noble work done in the dark". |
Pulitzer Prize
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The
KKK members threatened Alley and he used their threats as fodder
for more cartoons. The Commercial Appeal won the Pulitzer
Prize for its efforts. C. P. J. Mooney, editor of
the paper said, "We are mighty proud of this Arkansas boy, and
we are glad that the impact of his pencil is far reaching". |
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In addition to his newspaper work, J. P. Alley published two
editions of a book of caricatures titled "Distinguished Folks"
in 1924 and 1928. A deluxe version was published in 1927.
And his earlier Hambones books continued to be reprinted.
But the Hambones books have now been suppressed due to their
"raciist content" and of course when one is discovered the
price has gone through the roof. |
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1927 |
1917 |
1919 |
Books |
1976 |
1977 |
1977 |
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In 1973 a survey of J. P. Alley's drawings was shown at the
Memphis Brooks Museum of Art
=> |
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Distinguished Folks ... |
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Brooks Catalog |
Review |
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After a lengthy illness,
J. P. Alley died on April 16, 1934 and is buried at Memphis
Memorial Park. He was 49 years old. His obituary
read "... He had a fine sense of its
(WW1)
tragedies. Patriotism and idealism spoke through his pen."
The Commercial Appeal ran extensive coverage of his death and
funeral, including a moving editorial and editorial cartoon. |
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1934 Cartoon |
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Nona Alley lived a lot longer. After J. P.'s death she
wrote the dialogue for the Hambones cartoon panel until it was
discontinued in 1968. In 1935 she married Clarence Jackson
and had 30 more years, dying in1975. She is buried next to
J. P. Alley at Memphis Memorial Park and her last name is listed
as "Alley" on her grave stone. |
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Nona 1947 |
obit |
Nona's Grave |
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CAL ALLEY |
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Calvin Lane Alley was born in Memphis in 1915. Like his father, he
became the editorial cartoonist for the Commercial Appeal from
1945 until 1970. Following art training in Memphis and
Chicago (American Academy of Fine Arts, and Chicago Academy of
Fine Art), Alley took his first full-time work as a cartoonist
for the Kansas City (Mo.) Journal in 1939. When the
Journal folded in 1942, he relocated to the Nashville Banner.
Three years later he joined the Commercial Appeal to fill the
position previously held by his father. He remained with
them until his retirement in 1965. |
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Cal Alley |
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Chicago 1933 |
Chicago Art Schools |
Kansas City
1939 |
Nashville
Banner 1942 |
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Even
before Cal had completed his formal education and art training, he
joined his brother, James, in drawing "Hambone" after their
father's death. In 1934, Cal and James took over the
syndicated "Hambone" ... with Nona taking on the job of writing the dialogue
for the panels. |
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In
1954 Cal launched a comic strip: "The Ryatts" and it was
syndicated from 1954 to 1994. There were five kids in this
family Missy, Kitty, Pam, Tad, and Winky. Of course
the inspiration for the strip came from Alley's own family of 5
kids. |
The Ryatts |
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The Ryatts |
The Ryatts |
The Ryatts |
The Ryatts |
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Cal
Alley received the Sigma Delta Chi Distinguished Service Award in
1955, and like his father was inducted into the Tennessee Hall of Fame.
It honored those "...who have made an outstanding contribution
to Tennessee Newspaper journalism or through Tennessee
journalism, to newspaper journalism generally, or who have made
an extraordinary contribution to their communities and region,
or the state, through newspaper journalism". |
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Sigma Delta Chi Award |
Hall of Fame |
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Libby Franklin Brown and
Donna Franklin write: |
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"Our
father, John Speed Franklin, Jr. and Calvin Alley were best
friends, beginning at Messick School. Daddy told us many
stories about Calvin. One in particular stands out: He and
Calvin were driving down one of the neighborhood streets
that had a bump in the road. They were going so fast the
car raised up off of the street and continued moving forward
in the air. He would laugh and laugh about this and his
times with Calvin.
Father Lived on Carnes Avenue in 3 different homes from 1918
to 2018 ... 100 years. He and my mother were married for 70
years before she passed away in 2006. In going through
their home, we found this original drawing Calvin Alley gave
to daddy." .
February
27, 2019 |
Cal Alley Drawing |
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Cal's brother, James Alley, Jr.
was born in Memphis in 1913 and went to Messick High and
later to University of the South and Memphis State College.
He also attended art school in Bristol, Virginia. He
and Cal worked on Hambone together for 20 years. When
Cal began drawing "The Ryatts" James continued on
Hambone alone - of
course with Nona writing the panels. He says,
"Actually, Mother has been the major contributor for many
years". James was married to Myrtie Belle Stone Alley
and they had one son, James P. Alley III. James Alley
Jr died in 1990 and is buried at Memphis Memorial Gardens. |
James |
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Jim - Jim III |
James Article |
James Obit |
The Ryatts/Alleys |
Cal Alley |
C.
A. Collection |
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Cal
Alley retired in
1965 and died of cancer in 1970. He was 54 and burial was
in Memphis Memorial Gardens. The Cal Alley family donated the
"Cal Alley Collection" to the Memphis Public Library. It is
made up of political cartoons all relating to the political life of
Memphis and around the world, from 1939 to 1970. The Ryatts strip was taken
over by Jack Elrod and ran in syndication until 1994. Cal's
son Rick became a staff artist on the Commercial Appeal for many
years. He was particularly adept at caricatures and
watercolors. |
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Obit |
Obit NY Times |
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and
HAMBONE
... |
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The
character of Hambone was inspired by J. P. Alley’s encounter with a
philosophical ex-slave, Tom
Hunley, of Greenwood, Mississippi. Hunley was cleaning the
offices where Alley worked at the time. The two bonded and
Alley thought of cartoonist Kin Hubbard who had created the
comic strip "Abe Martin" . Abe was a philosopher
with a gift of gab. He actually was created to be the
mouthpiece for Kin himself to make observations about the social
issues of the day. The strip ran in newspapers during the
first part of the 20th century. So Alley created his own
version of Abe Martin using Tom's likeness and mannerisms.
He named the character Hambone - but he was really J. P. Alley.
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Hambone |
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Hambone |
Hambone |
Hambone |
Hambone |
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Hambone
first appeared as a character in Alley's editorial cartoons in 1916.
But he became so popular that Alley created a separate syndicated
cartoon named "Hambones Meditations".
Meditations became a huge success and was published in numerous papers
across the country. In 1919 Jahl *& Co published an entire book of Hambones Meditations.
For many years the Hambone panel ran on the first page of the Commercial
Appeal. |
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Hambone |
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Let Tom
Hunley tell you about his meeting with J. P. Alley
in this WPA interview:
"Uncle Tom. Dat's what dey called me
until Mr. J.P. come along, and he changed my name when he put me in
de newspaper. |
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Yes'm! Yes, ma'am! Mr. J.P. really
did stay here in Greenwood once. You say you heard dat an'
didn't know whether to believe or not? Well, yes ma'am he was
here sho nuff. Dat's been somethin' like twenty-five year ago.
He had a office over de Crumont --- does you remember de Crumont?
You mus' have been jest a li'l chile when it closed up. Well,
upstairs, dat was where Mr. J.P. had his office --- leastways
his li'l room where he did his drawin' at. Twan't no regular
office. I cleant up that place in dem days, an' I come trompin'
up de stairs wit my mop an' bucket de fust time Mr. J.P. ever
seed me. He cotch one glimpse of me, an' he jump an' holler:
"Bless goodness, uncle! You stand right there 'til I can git yo'
picture." Den he hole up his fingers like dis and squinch he eye
at me, and fus' thing I knowed he had my picture. " |
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"Now," he says, "I got to get a name
for you." And sho nuff, I'se comin' up de stairs one day a-gnawin'
on a big ham-bone
what a white lady had guv me.
"I got it!" he hollers, "Hambone! From now on yo' name is Hambone!"
An' dats what I been ever since, wit my picture in de Commercial
A-peal ever' morning. Mr. J.P. he went on back to Memphis, and he
dead now, but Young Mister an' his momma what was Mr. J.P.'s lady,
dey draws my picture now. Hambone! Yassuh, Mr. J.P. Alley was sho
one fine young white man. |
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Hambone |
Hambone |
Hambone |
First Page... |
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Although the Hambone
character was beloved by some, he was an example of the
caricatures of older black men that were common during the Jim
Crow years. African Americans knew it was time to stop
using this caricature that was ridiculed and laughed at.
During the garbage strike of 1968, the protesters chanted,
"Hambone just go". They no longer wanted to be laughed at.
This pressure from various Civil Rights groups brought the
long-run cartoon to an end in 1968. |
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Hambone Just
go - 1968 |
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Was "Hambone" racist? |
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One underlying practice of
racism includes the idea that humans can be divided into distinct
groups that are different because of their social behavior or their
mental abilities, as well as the idea that they can be ranked as
inferior or superior. Another practice is "casual racism"
which refers to actions involving negative stereotypes or prejudices
about people on the basis of race, color or ethnicity.
Examples of this include jokes, off-handed comments, and exclusion
of people from social situations on the basis of race. It's
not so much a belief in the superiority of race but of negative
stereotypes concerning race. Casual racism isn't always
intended to cause offence or harm. |
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This
brings to mind a uniquely American form of artistic expression -
The Minstrel Show. It was originally created and shaped by
white performers, some in blackface, playing to white audiences.
It featured a mix of song, dance, sketch comedy, and stand up
comedy. And African American culture was part of its
appeal from the beginning. The biggest debt to African
American culture was in dance. Minstrel Shows later became one of the
few ways that actual black performers were seen by a large
audience (Indeed some black performers performed in black face
to disguise this fact). And most audiences of the day saw
minstrel shows as harmless good fun. Attitudes began to
shift during the Civil War. By the turn of the twentieth
century, Minstrel Shows had been largely supplanted by
Vaudeville. |
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Today,
it's impossible to look at a minstrel show on film without cringing
at the blatant racism. It may be a bitter pill to swallow, but
Minstrel Shows, along with Vaudeville, and Burlesque, all
contributed to the development of the American Musical Theatre. It will
be a fine day when folks can watch a filmed vintage minstrel show
and appreciate the contributions that came from it, like the music,
the jokes,
"Who is that lady...?, Why did the chicken cross the road? Why
does a fireman wear red suspenders? ... and especially the dancing.
The same is true of Hambone. One day we may once again
appreciate his clever humor and be able to get past the caricature
appearance and the dialect and see him only as a wise, philosophical
African American. |
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J. P. Alley's grandson
Dan Conaway says it best:
"My contemporary
understanding of how hurtful Hambone was to so many, how
illustrative that cartoon was of institutionalized racism, makes me
no less proud of my grandfather’s immense talent, sharp pen and even
sharper wit. He was an accomplished man of his
time and never intended Hambone to hurt but simply to amuse, but
that time has passed and the hurt was real." |
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Hambone memorabilia is
very collectible IF you can
find it, because it has generally been suppressed. Of
course that's the surest way to may anything more desirable.
The Hambone 5 cent cigar advertising is a satire on Lindberg's
1927 solo flight across the Atlantic (Note USA on the left and
the Eiffel Tower on the right). Beware! There are
also some fake collectibles out there. |
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Hambone's Meditations |
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The Alley family ... |
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"An Alley byline has appeared consistently
in The Commercial Appeal since the 1920s" |
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Richard Alley, Nov 2015
Richard
Alley: A
freelance writer since 2008, Richard’s work has appeared in The
Memphis Daily News, Memphis Magazine, Oxford
American, The Memphis Flyer, River Times Magazine,
Rhodes Magazine and MBQ magazine among others, and
in syndication through the Associated Press and Scripps Howard News
Service. He is the author of the weekly parenting column, “Because I
Said So,” in The Commercial Appeal and was a contributor to
the book Memphians (Nautilus Publishing). He won the 2013
Silver Award for profile feature writing from the Parenting Media
Association Editorial & Design Awards. Richard is a native of
Memphis where he lives with his wife and four children.
(Cal
Alley is Richard's grandfather) |
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Dan
Conaway:A
lifelong Memphian, Dan Conaway is a communication strategist and
freelance writer. He has owned everything from ad agencies to
creative boutiques, promoted everything from ducks in The Peabody to
Grizzlies in the NBA to pandas in the zoo, and won recognition for
his creativity at every level. Along the way, he has never lost his
fascination or his frustration with his storied hometown, and he
shares his passion for both equally in his columns and posts. His
column, Memphasis, is posted weekly at wakesomebodyup.com, and
published weekly in The Memphis Daily News and in The Memphis News.
He is the author of "I 'm A Memphian".
(J. P. Alley is Dan's grandfather) |
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Kathryn
Alley
Conaway |
Rick Alley |
Elizabeth
Alley
Ahlgren |
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Credits |
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Special thanks
to the Memphis Commercial Appeal, Lou Jane Adams Wills and
Ancestry.com |
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